#commoners hanfu

[ziseviolet]

Thank you so much for gathering this information, you are providing a valuable resource for hanfu enthusiasts! I love the sumptuous cuts and fabrics, but as someone often involved in physical labor, it isn't realistic for me. Are there any examples of clothing that might be worn by country folk who have to work in the fields and tend animals?

Hi! Thanks for the question, and sorry for taking ages to reply! (image via)

Yes, there is hanfu suitable for country folk who have to work in the fields and tend animals. Historically, such people would have worn a type of unisex hanfu called 裋褐/shuhe. Shuhe goes by a few other names, including 短打/duanda, 短褐/duanhe, and 竖褐/shuhe. They all refer to a two-piece set of attire composed of a cross-collar top that extends to the knees, coupled with tied trousers. Both pieces were typically made out of coarse cloth. It is the basis of almost all underclothing, usually the clothing worn under armor, and the casual outfit of commoners and laborers (x). This outfit was generally worn by people doing manual labor, such as farm work, and by martial artists (x).

I wrote about shuhe in my post on casual/adventurer-type hanfu here. For more information on shuhe, I recommend checking out the following links:

Wikipedia article on 衫裤/shanku

Patterns for shuhe-making

Shuhe-making tutorial

A few images of shuhe in historical art & modern day (1, 2, 3, 4):

Shuhe understandably isn't as popular as other "fancier" hanfu styles, but there are still some available on Taobao, including the following:

Farmer-style shuhe for spring & autumn from 華夏节奏 (x):

2. Ming-style ramie shuhe from 淮边筱竹 (x):

3. Tailor-made Ming-style shuhe from 淮边筱竹 (x):

4. Ming-style quilted cotton winter shuhe from 淮边筱竹 (x):

For more references, please see my shuhe and commoners hanfu tags.

If anyone has more info/recs, please share! ^^

Hope this helps!

[angstandhappiness]

NEAT

Song dynasty daily-wear hanfu

[murderedbyhomework]

「小姑娘，拿著這束蓮花四周尋找，還捧著它笑，妳在想誰呢？」 「不知道啊。我之前發燒了，燒得很厲害，很多事情都不記得了，只記得有個很好看的哥哥用內力救了我，之後就離開了。他好像與蓮花有些關聯。」 「。。。小花，世界上這麼多人掂記你，你總不能忍心拋下他們吧？」｜｜全江湖白月光的名頭可不是白來的

"Young maiden, when you take these lotus flowers along your search, who do you reminiscence with a smile as you grasp them so gently?" "I don't know. Once, I had a terrible fever, so I don't remember much, just a very pretty young man who saved me with his internal power. He left after, but I remember he had some connection with lotus flowers." ".... Xiaohua, there are so many people in this world who remember you, so please don't leave them alone, okay? " || or, the title of white moonlight of the entire Jianghu isnt an empty title

[ziseviolet]

Hi love ya blog! I’ve been wondering how effective were the coir rain jackets?

Hi! Thanks for loving my blog, and sorry for taking ages to reply! (image via)

Chinese rain capes/raincoats are called 蓑衣/suoyi, and they are mainly made from local materials - in southern China, straw and coir grass are mostly used, as well as brown hair and brown leaves; in the north, thatch and cattail grass are mostly used. It takes about two to three days to make a suoyi by hand. They are typically worn with bamboo hats called 斗笠/douli.

Below - Ming dynasty illustration of a suoyi and douli (x):

Suoyi has a long history, originating before the Qin dynasty (221–206 BC). Although I haven't worn one myself, sources state that they were very effective. Compared with umbrellas, suoyi was not only better at keeping out the rain, but also freed up the two hands to work. Farmers liked to wear it on rainy days, and fishermen often wore it when fishing during rainy and snowy days. During the Ming and Qing dynasties, people travelling during the rainy season usually brought along suoyi (source).

Below - 19th-century late Qing dynasty suoyi made of palm and straw fiber, plus bamboo douli and basket (1, 2):

The tradition of working in the wind and rain wearing suoyi and douli continued until the late 1960s in China, after which they were gradually replaced with modern rain gear. Today, suoyi has become more of a tourist souvenir and decorative object than a practical item. Nevertheless, it can still be seen being worn by some elderly farmers and fisherman.

Below - a cormorant fisherman wearing suoyi and douli in Yangshuo, Guilin, Guangxi (x):

I highly recommend reading the following article for more information on suoyi's history, craftsmanship, and current status: Suoyi: RuCai Lyu’s rain cape and its ongoing tradition of protection.

For additional references, please see my suoyi tag.

If anyone has more info, please share! ^^

Hope this helps!

[kingsandbastardz]

So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.

So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.

Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.

Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.

I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.

So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):

presence or lack of a skirt

silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing

short or long length of skirt

embroidery

flowers/floral/bird designs

folding fans

certain styles of makeup

beading, gold, tassels, jewels

non-chunky jewelry

headbands

widely flowing silhouettes

What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.

The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.

Things I think are playing with gender:

row 1 - image 1: red di feisheng-inspired outfit

The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.

row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt

Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.

row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments

The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.

row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design

The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.

Thoughts? I'm curious what others think about this.

While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).

[angstandhappiness]

INTERESTING

chinese folk fashion in song dynasty

[zhengzi]

omg i finally found a shop that does the commoner style of hanfu

they even have great modernized pieces

I've been looking through their inventory and they have such good pieces, man i wish i can afford it

shop: nuwa hanfu

[mtkay13]

Wen Kexing!! My focus here was to channel his coolness even through warm colors, and to get his... "essential vibes" through one picture. More (rambling) below! (this is essentially a post about WKX's personality)

A big case can be made about "who or what is the 'true' Wen Kexing". So; let's be real, I don't know if anyone makes a "big case" out of it, but I sure have seen people seemingly arguing against a vague 'common opinion' regarding Wen Kexing's personality. The """common""" opinion (allegedly): the true Wen Kexing is [insert one of WKX's facets] (or something along those lines) The case against it: all Wen Kexing's are the true Wen Kexing Now I do agree with the fact that "all Wen Kexing's" are Wen Kexing, technically. For clarity, let's list and name those various facets (most are commonly accepted, some I'll just name on the go): - Wen Kexing: I'll use his full name for the personality we're first met with in the book. Someone cold, rather quiet, analytical and distant. Giving off strange vibes in social situations (ZZS thinking he's weird, other jianghu figures being creeped out by him or thinking that he's up to no good), contemptuous - Philantropist Wen: The more extravagant, (bullshit) storyteller, outrageous and shameless flirting enthusiast version of WKX. - Valley Master Wen: cold, calculating, quiet, cruel, unbelievably patient, dislikes fun and games, barely feels anything - Wife Wen: The over the top dramatic wife whose life is made difficult by his difficult and shameless husband, essentially a lot of roleplaying the good littol domestic wife and whatnot - The wooden man: similar as Valley Master but demure and apparently subservient? (for calculated purposes) Okay they could be more I guess, but the point is, we have an array of WKX personas and personalities and the actual consensus (I think, my sample is like 10 people so....) is that every one of those is "true" to WKX and that not one of them is a fully constructed persona. Now, while I agree, I guess that what I wonder is: what is WKX in his resting state? If nothing is happening and that he's not in a particularly social or specific situation, what do we get to see? I think that the answer mostly resides in extra 4, which is an INCREDIBLE retelling of TYK from WKX's perspective; someone who thinks quite a lot, and for long, someone who observes things with distance and little to no emotion. Someone who is used to having one goal (revenge, taking care of ZZS during his coma), and who will probably go through a lot of quiet thinking when finally faced with the void of not having one specific thing to aim for. Someone who will have to learn to find joy/happiness, and who probably doesn't... get there "naturally"? (and by that I mean, without ZZS or without directly following ZZS around). Someone whose ties to his own emotions have been severed a long time ago, I guess. Someone still quite contemptuous of many things and people and who has a whole life he didn't plan for or even consider ahead of him. Which is............ what I tried to draw............ here..................... (That and also I wanted to draw a pretty looking hanfu in sepia colors) (but I SWEAR that was not the main goal) (I think) (anyway please ignore me)

[sirenalpha]

I'm seeing so much commentary on people reacting to the live action atla toning down Sokka's misogyny

and I'm over here like this is a total non-issue because in my own rewrite of the show I already did that exact thing, it makes complete sense to do it and they should do it because it's a weaker aspect of the original show

Sokka's early misogyny is utterly cartoonish in comparison to the set up of the rest of the SWT, it doesn't feel realistic for the only teenaged boy in a dying culture surrounded by adult women with a grandmother who left a more out and out misogynist society to act the way he does

how Sokka "resolves" his misogyny is equally cartoonish, I never liked how in The Warriors of Kyoshi literally episode 4 of the show makes a teen girl compromise her own culture with a female only fighting tradition teach a boy who is supremely rude and disrespectful to her and then still be attracted to him afterwards, it's more misogyny to fix misogyny and is very obviously men writing about how to fix misogyny especially as they have Aang make a joke about Sokka wearing a dress after going through how meaningful the fighting costume is and how a lot of Asian clothing with hanfu influences like atla borrows from would have men in what to western eyes would be dresses, Aang has already seen multiple male authority figures in robes, the joke makes no sense

I also wouldn't consider Sokka's misogyny genuinely resolved after this, consider how the show deals with his romantic relationships with both Yue and Suki and how both can be seen as extensions of how Kataang is treated in the show, rewards for the hero, especially with how Sokka interacts aggressively with Hahn instead of respecting Yue's wishes whatever her reasons for them, I think an argument can be made that Yue's death is a fridging for Sokka's storyline rather than or in combination with being a consequence of Aang's failure as an avatar or the culmination of her own storyline where she fulfills her duties as a leader to protect her own people

Beyond his romantic relationships, while Sokka drops a lot of his more misogynistic language with Katara, he doesn't support her when she faces off with the NWT leaders to learn waterbending, and he still leaves the caretaking and food preparation and grocery shopping to her which is more common than him going out to hunt or gather in order to provide for the group while he takes a leadership role like determining their travel schedule and routes, it is not an even division of labor and falls along traditional sex stereotypes

In addition to his typical duties to the group, Sokka also remains invested in the trappings of masculinity after ep4, he's concerned about what's manly and how he compares to Jet for example, there's no investigation or interrogation in his interest in meat and hunting and how they relate to masculinity and his misogyny, in the episode with Piando, his insecurity as a non-bender is resolved by giving him a new male mentor and a new martial skill, sword fighting, which is masculine in both western and Asian cultures rather than assuaging his self esteem issues in any less stereotypically masculine ways, I also think it was done so he could compare more favorably to Zuko, another male character, and even his interest in engineering and mechanics comes with a male mentor and is a traditionally masculine pursuit

the show's poor handling of misogyny also extends beyond Sokka, with the NWT, the show acts as if Pakku is the only reason the tribe is misogynistic and the only consequences to that misogyny is that women can't waterbend and there are arranged marriages, and that both the NWT and Pakku's misogyny is resolved by allowing only Katara to learn to waterbend which she doesn't even earn on her own merits, she gets the opportunity because Pakku likes her grandmother

none of this is realistic, misogyny is not because of one bad apple, Pakku doesn't make Yue's arranged marriage, Chief Arnook does, he picked Hahn for her, and the show acts as if Arnook has no authority to compel Pakku to teach Katara or any ability to persuade him in order to reduce his culpability in the NWT's misogyny as its leader to make him a more respectable character so it's not uncomfortable when Aang and Sokka follow his orders in the battle later on, but women not being able to bend and forced into arranged marriages is still status quo when the gaang leaves, Yue's just dead

I'm not even convinced the show runners understand what's wrong with arranged marriage, the issue is not Yue can't be with Sokka who she likes and at most has a slight crush on cuz she's only known him for like two days, it's that she's being treated as male property, a broodmare, and a vehicle to ensure Hahn receives the throne because her father has no male heir and picked some guy to succeed him instead, like it's not explicit in the show but that is the implication based on the historical reality of princesses in arranged marriages, and the show has her get out of it only through death idc that she ascends to being a spirit, it's still a teen girl that dies

There's also no discussion by the show of the Earth Kingdom's misogyny when it has the exact same shit going on, Toph is the only female earthbender in the show not including avatars, there might have been a female earthbender in the background when Katara broke them out of prison, but I'm not really counting that, the entire army and Dai Li are all made up of men, the EK might even be worse because the show doesn't demonstrate that women and girls even have the capacity to earthbend aside from Toph and avatars and Toph doesn't even learn from a human, she has to learn from animals, the show treats this as commentary on her disability but the show has no compelling reason why it can't also be commentary on her sex, Toph was also originally supposed to be a boy so this could have ended up so much worse there literally would have been no female earthbenders aside from avatars at all, I'm not counting Oma as she might just be a mythological figure not a real person that once lived

The Fire Nation kinda barely avoids the same issue, Azula is the only named female firebender aside from avatars in the show but she has two female sidekicks who despite being non-benders show martial skill and there are clearly female soldiers and guards in the FN military so there are much stronger implications of female firebenders existing and being completely allowed to train their abilities and that Azula isn't exceptional in that respect like Toph is, only for being a prodigy with blue fire

Azula was also originally supposed to have an arranged marriage in s3 and they dropped it in favor of showing that royal and noble girls could casually date in the FN which has wild implications for women's empowerment in the country more so than but especially in combination with the fact women can train and join the military (which is why I say the FN is not fascist it's literally the least misogynistic country aside from Kyoshi and by like a country mile so it's literally not misogynistic enough) not that the show does anything more than minor teen drama with it

again, the vast majority of this misogyny is completely unremarked upon by the show especially after s1 when they leave the NWT, it is clearly a fictional world made by men with no true understanding of misogyny just a vague awareness that misogyny is bad and what the really obvious and outdated examples of it are, this is a narrative inconsistency in the show to have the examples and commentary on misogyny be so cartoonish in the beginning and then disappear after s1

your options to resolve this inconsistency is to either go all in with more realistic misogyny and provide commentary on all of it but this takes effort and will be divisive, or take the easier route and ease off the cartoonish-ness of it and comment less on it to avoid drawing attention to all instances of misogyny in the show

obviously Netflix was gonna do the latter

(not me tho, I'm making it less cartoony and dealing with it in my rewrite)

[angstandhappiness]

INTERESTING

doodled yanyan in some peasants clothing from late republic/early communist era and song dynasty 🐦

reference for song dynasty peasant's hanfu here

[fouryearsofshades]

愿以吾辈之青春，捍卫盛世之中华！ “世界是你们的，也是我们的，但是归根结底是你们的。你们青年人朝气蓬勃，正在兴旺时期，好像早晨七八点钟的太阳。希望寄托在你们身上。” 同志们，国庆快乐！ 汉洋折衷#汉洋折衷#汉服#汉洋折衷·社会主义#

令儀鸭 in a cross-collar short shan + short mamianqun + ku + weiyao weaved by her own grandma's mother ("直领大襟窄袖短衫+短马面+袴+阿婆的妈妈自己织染的老布围腰")

[atlaculture]

Cultural Fashion: Katara's Ba Sing Se Dress

Katara's Ba Sing Se dress is inspired by changyi robes (氅衣), which were full-length gowns worn by Manchu noblewomen during the Qing Dynasty (1644–1911). Characteristics of changyi include high slits on both sides of the dress, prominent trim along the openings of the robe, and a rounded cross collar (pianjin/偏襟). Around the beginning of the 20th-century, standing collars and more fitted silhouettes also became common on changyi and other Manchu women's clothing. Overall, Katara's Ba Sing Se dress possesses many characteristics of a late Qing Dynasty changyi.

However, similar to her headdress, her robe isn't 100% historically accurate. The standing collar doesn't appear to be directly attached to the pianjin opening and her sleeves appear to be modeled more after hanfu than qizhuang (Qing Manchu clothing). Nonetheless, her design still alludes to a very specific period in Chinese fashion history, rather than simply being a generic "Asian-esque" dress. Plus, the design is just lovely!

Fun Fact: The cloud pattern on Katara's dress is known as xiangyun (祥雲) or "lucky clouds" in Mandarin. Clouds are considered auspicious imagery in Chinese culture due to the Mandarin word for cloud (yún / 雲) sounding similar to the Mandarin word for good fortune (yùn / 運).

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[enidzzyx]

Round collar robe & black boots (Tang Dynasty)

Fullbody with shoes

Masculine

BGC

24 Swatches（12 solid swatches+12 pattern swatches）

All LODs & All Maps

Custom Thumbnail

Fang Hair

Male Hair

BGC

24 EA Swatches

Hat Compatible

All LODs & All Maps

Custom Thumbnail

I made two cc in traditional Chinese style for male sims. The robe is called round collar robe, which is a kind of common clothes in ancient China and also popular among hanfu lovers in recent times. Round collar robe of different dynasties has different characteristics and what I made is according to the Tang Dynasty style. Besides, I made the robe attached with black boots because it is a very common matching.

As for the hairstyle, it is not the proper hairstyle used by ancient Chinese people because they thought it good manner to tie their hair up and put it into hat. But this kind of hairstyle is very common in some Wuxia or history TV drama, and in the eye of modern people, this hairstyle looks cool to match with traditional clothes, so I decided to make it.

Download: CurseForge

@sssvitlanz @simbfinds @glimersimsfinds Thanks a lot!

Please don’t claim my cc as your own and reupload

[angstandhappiness]

INTERESTING

chinese hanfu by 花夕树国风原创工作室

[chinesehanfu]

[Hanfu · 漢服]Chinese Tang Dynasty(618–907AD)Winter Hanfu Based On Tang Dynasty Mural and figurines

【Historical Artifacts Reference 】:

China Tang Dynasty female figurine：

showing woman wearing“披袄/ Pī ǎo",“披袄/ Pī ǎo" is kind of formal wear. It is said began in the period of Cao Wei（曹魏）period, and was derived from Yiyi(祎衣). Mostly used in winter.

Among the pottery figurines and line carvings of the Tang Dynasty, wearing 披袄/ Pī ǎo" is a very common combination, as well as winter clothing such as double-layered thick Pī bó(披帛)and Earmuffs（暖耳/Nuǎn ěr)

Tang Dynasty”Earmuffs”:暖耳(Nuǎn ěr):

The mural of Li Yong(李邕)'s tomb in Fuping, Shaanxi (the fifteenth year of Tang Kaiyuan, 727 AD),showing a  woman wears 暖耳(Nuǎn ěr).

It is presumed to be made of animal fur and a cloth belt, and the cloth belt is tied under the chin.

————————

📸Recreation Work：@扬眉剑舞

🧚🏻‍ Model :@陈喜悦耶 @长歌要努力吖

🔗 Weibo:https://weibo.com/1879589532/NyTNDD1Eb

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[project-sekai-facts]

Here's a fun little Project Sekai fact! Almost all of your faves have appropriated other cultures as costumes and some have even done blackface. If you're supporting this game and refusing to make a meaningful statement about it beyond "b-b-but i said it was bad! 🥺", you are fucking racist.

You're either anti-racist, or you're a pro-seka blog. Choose one. You can't be both.

Basically everything is problematic and actually I have criticised the cultural appropriation and racism present in the game multiple times, at no point have I refused to acknowledge it (and you’re not the first person to send an anon in). You can play the game and be anti-racist actually it’s called being critical of the media you consume and having social awareness, we’ve been over this. Everything is problematic you probably like problematic media too.

Yeah the game did revival my dream and that was fucking racist, the costumes are stereotypical and they didn’t research into any specifc native culture they just wanted to make something that would get them money. it’s not princess mononoke put the trained costumes next to each other, the trained costumes are heavily stylised to look "pretty and fashionable" and forego accuracy. I’m aware of that, I’ve said this before multiple times but you wouldn’t know that because you just randomly came here to send me this message.

Then there's also the kamikou sports fes set. Luka's qipao is very obviously altered for the sake of fanservice which is just so wrong, do not sexualise other cultures for money. Rui's I think is meant to be some sort of military hanfu? But quite stylised, which again for someone outside the original culture to stylise a traditional outfit just is a no-go because you will probably get things wrong. Mizuki's outfit seems to be based on Qi-lolita and there's a whole thing surrounding that about whether you should wear it if you aren't chinese.

and then there's the island panic cards which are both orientalist. yes, not just the boys, the girls too. the outfits aren't based on any specific culture and just mishmash different swana and south asian cultures and stereotypes together to make something that looks "exotic".

If you notice a recurring thing is that all of these are in some way wxs related, and wonder why that is, it’s because they’re the theatre unit. They wear costumes, these are just cultures being appropriated as stage outfits, because the devs don’t care they just want a quick bit of money.

all of these are horribly common in idol games and gacha games, not just project sekai, and it's important to recognise the problems rather than just blindly consuming it. If it makes money, devs will continue to include ca, recognise that.

and yeah puchiseka episode 6 happened at no point have i ever denied that. it should have never happened but it did and at the very least the fandom was able to rally together and get sega to take it down. even after they did that sega and clpl should still be held accountable for even letting it be released. while they didn't make the episode, that was entirely handled by an external company (who should also be held accountable for their actions - we're never getting a second season for a reason), sega still released it knowing full well the contents. it wasn't ganguro like people said it was extremely clearly based on a very racist and crude interpretation of african tribes, and for part of a joke no less. It was disgusting. And it’s not ganguro like how people defend it; ganguro is part of the gyaru subculture and the outfits in that episode were not that. there is no defence for what happened. at the very least, it was impressive that the fandom called out the episode and actually got staff to listen and learn. that doesn't happen in other games, and we managed to do it again with rmd. the fanbase is calling the game out and actually educating staff. It’s just critical consumption - fans of the media were able to recognise that the episode was racist and correctly called out management with enough of a voice to make staff correct their mistakes. They apologised, it’s not my apology to accept, and I still hold them accountable for the fact it even happened.

This probably all makes me sound like a white saviour, and I don’t want to speak over the people affected by this, but that’s what you wanted, isn’t it? You probably have me blocked already and never followed me in the first place, but if you really wanted to call out racism, then maybe you should’ve sent this to blogs that do turn a blind eye to the flaws in this game, not one that calls them out. Why just me? Was it because of the username, because you’re not the first person to make that quip. I know you won’t see this anon, but a word of advice. Most media is problematic one way or another, you can enjoy something but still be aware of and acknowledge its problems. Project sekai is not made with the intent of encouraging or funding harmful behaviour, yet it still includes some harmful content. Call it out, educate staff and tell them not to do it again, they listened once they can do it again.